In recent years, there has been increasing interest in the presence of fascistic themes and imagery in anime. In this list, I will name every fascistic themed anime series, with a focus on the ideological and aesthetic implications of these choices. In this I aim to provide a thorough list that you can enjoy. That said, these are the only animes I consider ok to watch.
Saga of Tanya The Evil
"The Saga of Tanya the Evil" is an anime set in a parallel universe reminiscent of World War I, imbued with magical and otherworldly aspects. It chronicles the tale of Tanya Degurechaff, a cold and strategic child soldier serving in the armed forces of a fictional nation akin to Germany. The show is marked by its incorporation of fascistic motifs and visual design elements.
The anime employs a color palette dominated by reds and blacks, orchestrates scenes of grand military processions and assemblies, and casts Tanya as an authoritative and influential figure who commands the respect and devotion of her troops. The narrative delves into concepts traditionally linked with fascism, such as aggressive militarism, expansionist imperialism, and fervent nationalism. Through its use of military iconography and rhetoric, the series underscores the weight placed on hierarchy, allegiance, and subservience to the chain of command. Tanya is depicted as a valiant protagonist, engaged in battle for the honor and welfare of her homeland and its citizens.
Code Geass
"Code Geass" is a Japanese anime series that tells the tale of Lelouch, a royal who acquires the mystical ability known as Geass, granting him the power to command others. He wields this newfound power to spearhead a revolt against the Holy Britannian Empire, an oppressive force that has conquered Japan and subjugated its people. The series has faced scrutiny for its depiction of the Holy Britannian Empire, characterized as a dictatorial power with a doctrine that prioritizes military dominance. This empire is shown as a society that values technological prowess, nationalistic fervor, strict social stratification, and the survival of the fittest. Despite these representations, the overarching narrative of "Code Geass" serves to deliver a message that condemns fascist ideologies.
Space Battleship Yamato
"Space Battleship Yamato" is a renowned Japanese anime series that chronicles the adventures of its namesake's crew as they undertake a mission to rescue Earth from the clutches of an extraterrestrial species called the Gamilas. The series skillfully blends elements of science fiction, action, and drama, securing its status as a beloved classic in Japan. Regarding its portrayal of authoritarian themes, the Gamilas are governed by an autocratic leader and a central council that dictates the fate of their civilization. They place a significant emphasis on the ideals of racial purity and the practice of eugenics, holding a supremacist view over other species. The Gamilas exhibit traits of an expansionist and imperialist society, aiming to subjugate and colonize other worlds. Their aggressive and oppressive tactics in achieving their objectives bear similarities to the methods of historical fascist governments. Nonetheless, the series is crafted to convey a message that stands in opposition to fascist principles. It should be noted that among the various iterations of the show, "Space Battleship Yamato 2199" is specifically recommended for its modern retelling.
Universal Century Gundam: Gundam 0079 and The Origin
The "Universal Century Gundam" anime franchise is set in an elaborate universe where humans have extended their reach into space. The saga begins with "Gundam 0079," which narrates the story of a cadre of pilots embroiled in a conflict between the Earth Federation and the Principality of Zeon. "The Origin" serves as a prequel, delving into the history of Char Aznable, the franchise's primary villain, and the precipitating factors of the One Year War.
Within the narrative of "Gundam," the Principality of Zeon is depicted as a society that reveres military strength, national pride, and a rigid social order. Governed by an authoritarian regime led by the dynastic Zabi family, Zeon makes unilateral decisions for its citizens. The society harbors ideals of racial purity and engages in eugenic practices, fostering a belief in their own racial supremacy. The use of potent propaganda and military might to exert dominion over their populace mirrors the tactics used by historical fascist governments.
The figurehead of the Principality of Zeon, Gihren Zabi, is characterized as a persuasive and merciless autocrat whose ambition is to forge a new global hegemony through conquest. His representation in the series has drawn parallels to fascist leaders of the past, including Adolf Hitler and Benito Mussolini, with Gihren himself making explicit references to Adolf Hitler.
Attack on Titan
"Attack on Titan" is a dark fantasy anime series set in a grim world where humanity has been forced to reside within massive walls as protection from the Titans, man-eating humanoid giants that seem to prey on humans without any discernible motive. In this series, themes of militarism and nationalism are heavily emphasized. The military stands as the supreme authority within the society, and the narrative frequently showcases characters who are unwaveringly committed to the defense of their nation and people. This military force is depicted as a well-organized, disciplined entity with a stringent hierarchy and strict codes of conduct.
The anime's nationalist overtones are apparent in the depiction of the inhabitants of the walled society. They exhibit an intense devotion to their homeland, ready to lay down their lives in its defense. A palpable sense of camaraderie and solidarity is prevalent among the characters as they unite to safeguard their homes and loved ones from the Titan threat.
As the series unfolds, a shocking truth is unveiled: the Titans are, in fact, transformed humans, subjected to an enigmatic power. This revelation adds depth to the anime's exploration of nationalism and racism, highlighting that the Titans are not an inherently distinct species but rather humans altered into fearsome creatures.
Eren, the central character, initially harbors a vehement resolve to eliminate all Titans, despite being part-Titan himself. However, his perspective evolves throughout the series. As the plot advances, Eren grows increasingly skeptical of the notion of indiscriminate Titan slaughter and starts to grapple with the ethical implications of his actions. He becomes cognizant of the intricate web of political and societal dynamics that have fueled the strife between Titans and humans.
In a further twist, Eren's stance takes another dramatic turn. He comes to advocate for the extermination of regular humans to shield the Titans, who have become a marginalized faction within the narrative's universe. This shift portrays a complex character journey and reflects the broader moral ambiguities and tragic cycles of violence that "Attack on Titan" seeks to examine.
Legend of The Galactic Heroes
"Legend of the Galactic Heroes" is a sprawling space opera anime that unfolds in the distant future, a time when human civilization has expanded across the galaxy. The narrative centers on the interstellar conflict between two predominant powers: the Galactic Empire, with its monarchical rule, and the Free Planets Alliance, a coalition of planets governed by democratic principles. The series delves into the political and societal ramifications of these contrasting forms of governance. It casts the Galactic Empire as an oppressive regime characterized by despotism, whereas the Free Planets Alliance is portrayed as a society embracing equality and democratic values.
A central character in the series' exploration of autocratic rule is Rudolf von Goldenbaum. He emerges as a dynamic and driven leader who ascends to a position of power within the Galactic Empire. Yet, his regime is marked by fascist ideologies, underscoring elements such as aggressive nationalism, strict authoritarian control, a glorification of military power, and a pursuit of eugenic policies. Rudolf von Goldenbaum's portrayal serves as a critical examination of the dangers and moral decay associated with fascist leadership.
Jin-Roh: The Wolf Brigade
Set in an alternate timeline where Japan faced defeat in World War II and succumbed to occupation by a fascist regime, this Japanese anime movie depicts a history reshaped by the victorious Axis Powers, with Germany at the forefront establishing a puppet government. The narrative centers around Kazuki Fuse, a member of the Special Unit, an elite paramilitary police squad, as he navigates through a labyrinth of political machinations and inner turmoil.
The film's portrayal of Japan's police and military is heavily influenced by German military structures, with the Special Unit being analogous to the German Panzer Corps. The movie is rich with the visual language of fascist rule, employing uniforms, emblems, and propaganda reminiscent of such regimes. These elements are particularly pronounced in the depiction of the government's institutions and their tools of dominance. The Special Unit is presented as an embodiment of militarism and authoritarianism, with a rigid command structure and an unwavering resolve to prioritize the regime's objectives above all.
The movie also critically examines the oppressive nature of a police state, casting the police as agents of suppression rather than guardians of safety. The Special Unit operates without restraint, using harsh and coercive methods to enforce order and quash any form of resistance. Despite its representations of fascism, it is crucial to recognize that the film's message is staunchly anti-fascist. Additionally, it's worth noting that the movie has inadvertently contributed to internet culture, giving rise to the "Right Wing Death Squad" meme.
Good choices! On future topics can you do some on fascist themes in pop culture or media such as warhammer 40k, judge dredd, starship troopers, star wars, or halo?
Honestly, Japan's "subculture" circa the 80's is so detached from political trends that they're just empty parodies of itself. I mean, look at Evangelion.
AFAIK the few exceptions are the ones written by the ex-New Left, like Oshii Mamoru and Yasuhiko, or those who were in its vicinity, like Tomino or Takahashi Ryōsuke (just fucking watch "Fang of the Sun Dougram")
Though I guess AoT could be fash